Making of The Dreams in the Witch House Poster

When I started this blog, it's intent was to expose my creative process as I wrote my vampire story/play, The First Fear. (More on that in upcoming posts.)

During the making of the play The Great God Pan earlier this year, I documented that play's poster design process pretty thoroughly. Now that The Dreams in the Witch House is up and running and getting good reviews, I thought I would expose the guts of that poster. (Go see the play!)

The play's director and adaptor, Charley Sherman, wanted the poster to feel dark with blues and grays and the feeling of metal to express the city of Arkham. Arkham is H. P. Lovecraft's infamous city of nightmares where the play takes place. I had done a teaser graphic that was photo manipulating via Photoshop filters, but it was a rush job and not what I wanted ultimately.


The Dreams in the Witch House teaser graphic

So when it came time to produce the final graphic, I pulled several photos I had taken at various places and chose three to work with. I often pull from my random photo files to either place them into designs completely unrelated to the topic or to use as reference for a drawing. I learned from Sparth (one of my favorite concept art artists) at the Massive Black Revelations Symposium this past January in Seattle, that he does this all the time in his concept art designs. He will even take old finished concept art pieces and use them for textures and design elements in newer pieces.

Here are the three photos I choose to work with:


A cool dilapidated iron fence in my neighborhood


A view from inside Northwestern Evanston hospital


A church steeple down the block from my house

I combined the three of them in Photoshop layers and composed and cropped to get this:



I used the Plastic Wrap filter on the two non-steeple photos and adjusted Levels on all of them to get the contrasts I wanted and the textures suitably creepy.

From there I started playing with some type ideas for the title -


In the end, I realized that something needed to be in this landscape and I initially had a hooded, vague shape with a rat's tail sticking out from the cloak to hint at the character, Brown Jenkins. After showing it to the director, we realized that it wasn't strong enough and I went to a clearer rat image. This turned out to be for the best, because rats play a large role in the play and Arkham. After hours of trying to find the right way to fit in Lovecraft's name and his very long story title, this is the final image for the poster:


The Dreams in the Witch House poster graphic


Poster detail

Viking Youth Power Hour Review of Witch House

Those horror fiends at the Viking Youth Power Hour wrote about their experience at The Dreams in the Witch House. Here are some choice excerpts:

"This past weekend I spent one of the more enjoyable Saturday night’s I’ve had in Chicago in some time at our city’s resident 'Horror Theatre' experts newest production, an adaptation of H.P. Lovecraft’s 'The Dreams in the Witch House.'

'Witch House' tells the story of a young mathematics genius with a mysterious past, Walter Gilman, taking to school at the infamous Miskatonic University. Before our fated hero can even unpack his bags he’s beset by terrible omens, rat faced humans, odd foreigners, and troubling dreams encouraging geometry as a means to a rather inhabited fourth dimension. By the end of the show we’ve been treated to spirit possession, incest, baby pies, glowing pentagrams, an awesome chameo from an Old One, plenty of madness and witchery and enough murder to keep that old impotent cunt Dick Cheney horny for a week. In short, it’s a delicious trollop through the highest roads of horror's greatest riffs.

The performances were great as well... But what sets Wildclaw apart from other theatre groups is that they aren’t just pursuing art by way of theatre, they’re pursuing theatre by way of Horror. And this love of the wicked permeates every aspect of the show.

(Y)ou’d be fool to miss the WildClaw Theatre’s production of 'The Dreams in the Witch House'."

For the full review, check it out here.

Killer-works Review of The Dreams in the Witch House

"The Dreams in the Witch House is spectacular, in the old school, carnival funhouse sense of the word.

Do you like your theatre eerie, gory and surprisingly witty? Enjoy your protagonists pale and plagued by witches? Your good guys questionable (to say the least), and your bad guys such gibbering maniacs that the word "bad" no longer applies? The Dreams in the Witch House has it all. Plus The Necronomicon. Which is just cool. "
C.S.E. Cooney - Killer-works.com

Arkham Awaits

Big begins building

Today we erected the set for H. P. Lovecraft's The Dreams in the Witch House at the Athenaeum Theater. Tech week has officially started. Platforms have been hoisted, screws tightened, paint flung. We open next Sunday, November 16th and run through December 21st.

Get your tickets now for WildClaw's most ambitious show. Centerstage has already called it a Must-See Show and Fangoria is telling you to obey that impulse and see it.

Here's what they said about WildClaw's The Great God Pan earlier this year:

"If this is the WildClaw standard for horror, we’ll gladly be horrified again"
-TimeOut Chicago

"Fantastically executed"
-Killer_works.com

"It delivers the guts and gore you crave and you may actually get blood splattered on you"
-The Chicagoist

"Spooky fun in the vein of the classic Hammer Films thrillers of the 1950s and '60s"
-Chicago Reader

You probably heard that Deathscribe was a blast. So what are you waiting for? Arkham awaits.